Saturday, December 24, 2016

Just in time for the holidays: Your comprehensive-ish guide to "Thurber (et al.) Tonight" (the whole dang series)

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Including Woody Allen, Robert Benchley, Bob and Ray, Will Cuppy, Wolcott Gibbs, Ring Lardner, S. J. Perelman, Jean Shepherd, and E. B. White Tonight


All I asked Santa for was a better picture of the great Will Cuppy; the one I've been using looks like it was taken clandestinely while he was in the Witness Protection program. However, given my lack of faith in the fat phony, I wasn't optimistic that he'd come through, so I went searching on my own once again, and once again my Google Images search for "Will Cuppy" yielded the swell pix of Will Rogers and Ring Lardner which somehow always turn up, and once again I had to decide, with heavy heart, that no, they wouldn't really fill the gap better than what we've got. But then the above image turned up, and I figured that since it purports to be part of a book cover, the chap portrayed therein must actually be our Will. I have to say, though, that this pic creeps the dickens out of me, and so I don't think I'll be popping it into the Will Cuppy slot below. I think I'm actually going to be trying to forget I ever saw it. Sheesh!

by Ken

You look around and see all those decked halls, then close your eyes and hear all that fa-la-la-la-la-ing, and almost instantly you know something's up, am I right? Or else you read Noah's post last night, "Profiles In Cowardice: The Electoral College," and noticed that it's also Part 1 of his annual, er, tribute to the outgoing year, this time out: "2016: America Off The Rails."

That's right, it's the Holiday Season!

Okay, okay, I know it's been going on since about Columbus Day, if not Labor Day, and tonight is already Christmas Eve, for Bill O'Reilly's sake! I believe in letting the damned thing sneak up on me, so sneakily that with any luck it's almost past before it announces its presence. In a week or so we'll be ushering in a new year, and then begins the Countdown to Inauguration Day. And then we're on to wishing for a minimum of four more good years for Justice Ruth Bader Ginsburg.

So in the holiday spirit, or at least what passes for it hereabouts, I'm looking to slip into the DWT schedule some of what Tom and Ray Magliozzi, the Car Talk guys, liked to bill as "encore presentations" of memorable shows, which they hastened to explain were really things they pulled more or less randomly out of a box of old tapes. Naturally I never believed they were chosen entirely at random -- after all, there had to be some reason why those particular tapes were in that particular box, right? 


And I'm not going to be choosing entirely randomly either. On the theory that along about now we could all use a few laughs, and also because it's one of the things i'm proudest of having done, I'm planning to dig into the "Thurber (et al.) Tonight" series I did here way back in some previous century.

Earlier this year I did perform a couple of resurrections from the series. There was a June post called "Having trouble getting things done? Learn from the master, the great Robert Benchley," which brought back a piece I think of just about every day, "How to Get Things Done." (Short version: "The psychological principle is this: anyone can do any amount of work, provided it isn't the work he is supposed to be doing at that moment.") Then in August I felt the itch again, and again it was a Benchley piece I had to bring back, in a post called "Comedy Tonight: 'Why We Laugh -- or Do We?': Another 'Benchley Tonight' Resurrection."

And I didn't even get (back) to what may be my very favorite Benchley piece, "A Little Sermon on Success." (As noted in the comprehensive-ish listing below -- "comprehensive-ish" in that I can't help feeling that I've missed an instance or two here or there -- you can find it here.) Not to mention the sublime "My Five- (or Maybe Six-) Year Plan." And . . . .

And no Thurber encore presentations at all! Yikes!

So I've cooked up this scheme for the holiday season (and perhaps the January slump season as well) to find post slots where I can slip in some especially cherished posts from these revered masters, and maybe some suggested "must reads" from among the stuff of theirs that was previously presented, at least until Howie cries out, "Please stop already!"

But, first things first (not my usual practice, as readers may be aware), I thought we would start with the comprehensive-ish listing itself. This is essentially unchanged from the version to which I have been providing a link since time immemorial. The one change I contemplated was to be able to pop in, finally, a better picture of Will Cuppy, but as noted in the photo caption above, that project came to a creepier-than-dead end.


And so, without further ado, excepting one tiny click-through --


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Wednesday, June 22, 2016

Having trouble getting things done? Learn from the master, the great Robert Benchley

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Harking back to our comedy nights with Benchley plus James Thurber, Woody Allen, Bob and Ray, Will Cuppy, Wolcott Gibbs, Ring Lardner, S. J. Perelman, Jean Shepherd, and E. B. White


"The secret of my incredible energy and efficiency in getting work done is a simple one. I have based it very deliberately on a well-known psychological principle and have refined it so that it is now almost too refined. I shall have to begin coarsening it up again pretty soon.

"The psychological principle is this: anyone can do any amount of work, provided it isn't the work he is supposed to be doing at that moment."

-- Robert Benchley, in "How to Get Things Done"

by Ken

Today, a long-delayed labor of love: the resurrection of a series that was itself a prolonged labor of love, running here in the late-night slot -- for which, in fact, the late-night slot was invented -- over a long and fondly remembered period. It started with Thurber but then went on to include all the names you see above. And in resurrecting it, the name that has crowded to the forefront of my consciousness is that of the great Robert Benchley, specifically in the form of the piece we're about to revisit: "How to Get Things Done," which was first published in the Chicago Tribune in 1930 and first appeared here as a "Benchley Tonight" post in January 2011.

Lately I've been trying to get bits of my life in order, or at any rate a bit more in order, and have had frequent occasion to talk about this as well, frequently with other people trying to do the same thing with their lives. As a result, I've had frequent occasion to try to synopsize this all-but-definitive treatise on how really and truly to get things done -- the secret, as our Bob puts it, to "how I manage to get so much work done and still keep looking so dissipated." By the way, I tried unsuccessfully to track down a picture of our Bob "riding to hounds" or "going to fancy-dress balls disguised as Louis XIV"; there don't seem to have been photographers present on these occasions.

So there was no question in my mind that of all the thousands of sublime pieces that appeared in this series, "How to Get Things Done" is the one for which present-day readers are likely to have the most urgent need. The master list for the series, by the way, can still be found here.



Now let's get down to business -- or, rather, business Benchley-style.


How to Get Things Done

by Robert Benchley

A GREAT MANY PEOPLE have come up to me and asked me how I manage to get so much work done and still keep looking so dissipated. My answer is "Don't you wish you knew?" and a pretty good answer it is, too, when you consider that nine times out of ten I didn't hear the original question.

But the fact remains that hundreds of thousands of people throughout the country are wondering how I have time to do all my painting, engineering, writing and philanthropic work when, according to the rotogravure sections and society notes I spend all my time riding to hounds, going to fancy-dress balls disguised as Louis XIV or spelling out GREETINGS TO CALIFORNIA in formation with three thousand Los Angeles school children. "All work and all play," they say.

The secret of my incredible energy and efficiency in getting work done is a simple one. I have based it very deliberately on a well-known psychological principle and have refined it so that it is now almost too refined. I shall have to begin coarsening it up again pretty soon.

The psychological principle is this: anyone can do any amount of work, provided it isn't the work he is supposed to be doing at that moment.

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Thursday, April 28, 2011

Jean Shepherd Tonight: The thrill-packed conclusion of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid"

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by Ken

Tonight, after Part 1, Part 2, and Part 3, our story reaches its epic climax. As we left off last night, with Christmas bearing down on Ralph, and his fevered dream of the promised land of "a Red Ryder BB gun with a special Red Ryder sight and a compass in the stock with a sundial," on one of the last days of school before the break he has spilled his guts in a surprise in-class writing assignment, a theme written on blue-lined paper from this Indian Chief tablet -- on the subject "What I Want for Christmas"! It elicits a B from Miss Bodkin, along with the comment: "You'll shoot your eye out. Merry Christmas."
I stuffed my tattered dreams back into my geography book and gloomily watched other, happier, carefree, singing kids who were going to get what they wanted for Christmas as Miss Bodkin distributed little green baskets filled with hard candy. Somewhere off down the hall the sixth-grade glee club was singing "Oh little town of Bethlehem, how still we see thee lie . . ."

Mechanically my jaws crunched on the concrete-hard rock candy and I stared hopelessly out of the window, past cut-out Santas and garlands of red and green chains. It was already getting dark. Night falls fast in Northern Indiana at that time of year. Snow was beginning to fall, drifting softly through the feeble yellow glow of the distant street lamps while around me unbridled merriment raged higher and higher.

FOR PART 4 OF "DUEL IN THE SNOW, OR RED RYDER
NAILS THE CLEVELAND STREET KID," CLICK HERE



STARTING SUNDAY NIGHT: A major DWT late-night event, which will require a full seven nights

We dip into one of the treasure troves of American letters, and in a special guest commentary read rapturous tributes from the likes of Virginia Woolf, H. L. Mencken, and F. Scott Fitzgerald. But after all those encomia, ventures our commentator, "there is one more salient point" about this material:
It is funny. The fact has gone unmentioned, or been taken for granted, by Mrs. Woolf, Mencken, Fitzgerald, and others as they studied the literary or scientific aspects of the book. But [it] knocked the country head over heels in the first place because people laughed at it, so intensely that the echoes have been accepted at face value ever since.


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Wednesday, April 27, 2011

Jean Shepherd Tonight: Part 3 of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid"

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Tonight: a visit to Santa -- ho-ho-ho

"Every evening immediately after supper we would pile into the car and drive downtown for that great annual folk rite, that most ecstatic, golden, tinseled, quivering time of all kidhood: Christmas shopping."
from tonight's installment of the story

We've been working our way through Chapter II of In God We Trust -- All Others Pay Cash. Monday night in Part 1 we learned of the fixation developed by Ralph our narrator for an "Official Red Ryder Carbine Action 200-Shot Range Model Air Rifle" -- a BB gun to you and me, and last night in Part 2 we saw the beginnings of his careful machinations to get one (the trickiest maneuver being to circumvent "the classic Mother BB Gun Block": "You'll shoot out one of your eyes") for Christmas as "that greatest time of all the year" enveloped wintry Hohman, Indiana. -- Ken


FOR PART 3 OF "DUEL IN THE SNOW, OR RED RYDER
NAILS THE CLEVELAND STREET KID," CLICK HERE



THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Tuesday, April 26, 2011

Jean Shepherd Tonight: Part 2 of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid"

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"Winter Visits the Mills, Hammond, Indiana": oil painting by Lenore Condee Lawson (born 1899), c. 1930

"Through my brain nightly danced visions of six-guns snapped from the hip and shattering bottles -- and a gnawing nameless frenzy of impending ecstasy."
-- from tonight's installment of "Duel in the Snow,
or Red Ryder Nails the Cleveland Street Kid"

by Ken

We're working our way through Chapter II of In God We Trust -- All Others Pay Cash, the first actual story in the book: Ralph the narrator's recollection of the Christmas he got his Red Ryder BB gun.

Throughout the fall young Ralph has been seduced by full-page back cover ads in his teenage bible, Open Road For Boys, for the Official Red Ryder Carbine Action 200-Shot Range Model Air Rifle. Last night we learned that winter has come early and hard to Hohman, Indiana, with the first of the season's great blizzards striking in early December.
Scattered out over the icy waste around us could be seen other tiny befurred jots of wind-driven humanity. All painfully toiling toward the Warren G. Harding School, miles away over the tundra, waddling under the weight of frost-covered clothing like tiny frozen bowling balls with feet. An occasional piteous whimper would be heard faintly, but lost instantly in the sigh of the eternal wind. All of us were bound for geography lessons involving the exports of Peru, reading lessons dealing with fat cats and dogs named Jack. But over it all like a faint, thin, offstage chorus was the building excitement. Christmas was on its way. Each day was more exciting than the last, because Christmas was one day closer. Lovely, beautiful, glorious Christmas, around which the entire year revolved.

FOR PART 2 OF "DUEL IN THE SNOW, OR RED RYDER
NAILS THE CLEVELAND STREET KID," CLICK HERE



THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Monday, April 25, 2011

Jean Shepherd Tonight: Part 1 of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid"

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by Ken

Last night we had the first chapter of Jean Shepherd's story collection-cum-novel In God We Trust -- All Others Pay Cash, which brought another visit from our favorite Shepherd expert, Eugene B. Bergmann (author of Excelsior, You Fathead! The Art and Enigma of Jean Shepherd), who among other things offered some interesting background on the book:
As for your correct comment that his IN GOD WE TRUST, ALL OTHERS PAY CASH is "a novel of sorts," I agree and have always insisted that his interspersing the short segments about him talking in the bar with friend Flick do not at all make the book a "novel." The linking device is inadequate for attempting to tie together a group of different short stories, which were edited from his radio work. The stories themselves are great--good stuff and fun to read. I believe Shepherd felt the added prestige of a novel over the short story form. Even his publisher allowed the word novel to appear on the front cover of the book. Publishers can be such nice people!

My thought:
No, of course In God We Trust . . . isn't really a novel, and it's discouraging to learn how it took its curious form.

On the other hand, framing the old stories in the "reality" of the present added a whole dimension. And because both times were so well observed, they take on an added dimension now that we're farther removed in time from the "present" of 1966 than it was from the period when the stories took place. This is one of the things that makes writers who are so wonderfully observant so precious -- the writing doesn't get old.

In Chapter II, we make our first leap from the "present" (1966) back to Ralph's Depression-era childhood.


FOR THE START OF "DUEL IN THE SNOW, OR RED
RYDER NAILS THE CLEVELAND STREET KID," CLICK HERE



THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Sunday, April 24, 2011

Jean Shepherd Tonight: Going home again -- the opening chapter of "In God We Trust, All Others Pay Cash"

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My poor old copy of In God We Trust . . .

by Ken

Last week in "Jean Shepherd Tonight" we heard the master in his own voice, as it went out over the airwaves to those of us lucky enough to live within radio earshot. (Now, there's a corucopia of Shepherd online, so that all these years later, everyone can be part of Shep's radio audience.) I advanced the proposition that his story-telling art translated surprisingly well to the printed page, and thanks to a helpful comment from Eugene B. Bergmann, author of Excelsior, You Fathead! The Art and Enigma of Jean Shepherd, we know that Shep himself was extremely conscious of the difference between a story told in talk form in real time and a story told on the printed page. The stories spun in In God We Trust -- All Others Pay Cash are in fact cast in the form of a novel of sorts.

Tonight we have the opening chapter, "We Meet Flick, the Friendly Bartender," which sets the stage for the first story, "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid." We're going to continue on with that, and given the length of that chapter, I'm guessing it's likely to keep us occupied the rest of the "Shepherd Tonight" week.


TO JOIN "RALPH" ON HIS RETURN TRIP TO
HIS NATIVE "HOHMAN," INDIANA, CLICK HERE



THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Thursday, April 21, 2011

Jean Shepherd Tonight: Part 2 of "Ham Radio." PLUS: A proper posting of "The Great Ice Cream War of Hammond"

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In case anyone thinks that Eduard Strauss, younger brother of the Waltz King, Johann Strauss II, didn't write anything other than the Jean Shepherd standby Bahn frei!, here's another Eduard Strauss polka, Mit Vergnügung (With Pleasure). It's performed by the Vienna Philharmonic under Lorin Maazel, from the 1996 Vienna New Year's Concert.




BEFORE WE PROCEED TO THE CONCLUSION
OF "HAM RADIO" . . .


For those who missed it in last night's comments section, responding to the post of part 1 of "Ham Radio" reader Barry Brenesal raised a valuable point, writing in part: "Though I found Shepherd ultimately repetitive, I loved listening to him in small bursts over WOR, back in the late 1960s, when he was on around 10 PM. Had great personality, and was a fantastic writer."

I replied:
You raise an interesting point, Barry, about the repetitiveness. Shep was, after all, filling an hour of radio time five nights a week for the run of his show(s), and of course while he had listeners who had been with him through many campaigns, he also had the right to assume that most of his listeners hadn't heard all of his talk. And of course even in the repetitions there were infinite variations -- I think of the comedy equivalent of the oral traditions of the ancient bards.

Next week we're going to take a look at Shep on the printed page. As I mentioned already, his tale-telling seems to have translated surprisingly well to print, and I think it's because he had been telling versions of these stories for so long that they had already taken on a fair amount of structure.


NOW HERE IS THE CONCLUSION OF "HAM RADIO"

You'll find part 1 here.




MAKEUP POST: OOPS! HERE IS "THE GREAT ICE
CREAM WAR OF HAMMOND" (SORRY ABOUT THAT!)


I've only just discovered, thanks to a commenter, that on Tuesday, instead of the promised "Great Ice Cream War of Hammond," I repeated "The Attic." Sorry! I've corrected it there, and here again is the correct clip:




SUNDAY in JEAN SHEPHERD TONIGHT: As noted above, we go to the books: Shep on the printed page. (I haven't figured out exactly what yet. Tune in Sunday night.)


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Wednesday, April 20, 2011

Jean Shepherd Tonight: Part 1 of "Ham Radio"

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One more performance of Jean Shepherd's theme music, Eduard Strauss's Bahn frei! (Clear Track) polka, by the Czechoslovak Radio (CSR) Symphony Orchestra (Bratislava) under Ondrej Lenard:


AND NOW PART 1 OF "HAM RADIO"




TOMORROW in JEAN SHEPHERD TONIGHT: Part 2 of "Ham Radio"


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Tuesday, April 19, 2011

Jean Shepherd Tonight: "The Great Ice Cream War of Hammond"

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Another performance of Jean Shepherd's "theme song," Eduard Strauss's Bahn frei! (Clear Track) polka, by the Royal Philharmononic under Peter Guth, quicker and more rambunctious than the lovely Boskovsky-Vienna Phil one we heard last night:






TOMORROW in JEAN SHEPHERD TONIGHT: Another of his radio monologues


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Monday, April 18, 2011

Jean Shepherd Tonight: "The Attic"

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We might contrast [two contrasting performances of Johann Strauss II's polka Amid Thunder and Lightning] even further by tossing in what must be the best-known piece composed by Johann II's younger brother Eduard Strauss (1835-1916), Bahn frei! (Clear Track, in the sense of a railroad track, 1869 -- conducted here with a wonderful blend of flair and poise by Willi Boskovsky, whose name is almost synonymous with the Vienna of the Strauss dynasty), which will be familiar to any fan of the late great radio monologist Jean Shepherd or to any fan of one of Jean Shepherd's great fans, Keith Olbermann, who uses it to introduce the "Oddball" segment of Countdown.
-- DWT Sunday Classics, Sept. 13, 2009

No, this isn't the performance of Bahn frei! Jean Shepherd, which began with a race-track fanfare and was quicker and tackier. Still, if we're going to listen to one of his classic radio monologues, it helps set the tone. Here he tells the story of one of his father's apparently numerous ambitious but doomed projects. -- Ken





TOMORROW in JEAN SHEPHERD TONIGHT: Another of his radio monologues


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Sunday, April 17, 2011

Jean Shepherd Tonight: "Cafe Incident," told by one of radio's legendary story-tellers

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Although Jean Shepherd in fact transferred quite successfully to print -- his seemingly rambling shaggy-dog tales were more tightly structured than they appeared in performance -- there's no doubt that he was a radio guy, and for those of us lucky enough to have had access to his show on New York's WOR, it was a nightly ritual.

There are a whole bunch of pieces posted on YouTube, and I've picked this one more or less at random. We can listen together. --Ken


TOMORROW in JEAN SHEPHERD TONIGHT: I'm looking at "The Attic"


THURBER TONIGHT (including BENCHLEY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, BOB AND RAY, E. B. WHITE, and JEAN SHEPHERD TONIGHT): Check out the series to date
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Thursday, December 09, 2010

Thurber (et al.) Tonight: The series to date

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Including Woody Allen, Robert Benchley, Bob and Ray, Will Cuppy, Wolcott Gibbs, Ring Lardner, S. J. Perelman, Jean Shepherd, and E. B. White Tonight

Here's what we've had so far in "Thurber Tonight":

Special Edition: At the 6/12/2011 92nd Street Y Thurber "do," Keith O gives a virtuoso performance

"The Pet Department" (from The Owl in the Attic and Other Perplexities [1931] and The Thurber Carnival [1945]), in six installments:
(1), (2), (3), (4), (5), (6)

Fables from Fables for Our Times and Famous Poems Illustrated (1940)
"The Little Girl and the Wolf"
"The Hen and the Heavens"
"The Unicorn in the Garden"
"The Birds and the Foxes"

Fables from Further Fables for Our Time (1956)
"The Cat in the Lifeboat"
"The Fox and the Crow" (plus "Variations on the Theme")
"The Lover and His Lass"
"The Bears and the Monkeys"
"The Grizzly and the Gadgets"
"The Peacelike Mongoose" (in special edition: At the 92nd Street Y Thurber "do," Keith O gives a virtuoso performance)

"My Fifty Years With James Thurber" (preface to The Thurber Carnival)

"The Ladies' and Gentlemen's Guide to Modern English Usage" (from The Owl in the Attic and Other Perplexities [1931])
I. Who and Whom
II. Which
III. The Split Infinitive
IV. Only and One
V. Whether; and VI. The Subjunctive Mood
VII. Exclamation Points and Colons
VIII. The Perfect Infinitive
IX. Adverbial Advice

Short fiction
An extended note on "The Secret Life of Walter Mitty" and "The Catbird Seat," with a link to the full text of "The Catbird Seat"
"The Secret Life of Walter Mitty"

from My World -- And Welcome to It (1942)
"Here Lies Miss Groby"
"A Ride With Olympy"; encore presentation
"The Letters of James Thurber," accompanied by part of an actual 1938 Thurber letter (from The Thurber Letters), on New York City life among "our horrible bunch"

The great correspondence sagas, both from Thurber Country (1953)
"File and Forget"
"Joyeux Noël, Mr. Durning"; encore presentation

more from Thurber Country (1953)
"The Figgerin' of Aunt Wilma"
"A Friend of the Earth"

from Let Your Mind Alone!, and Other More or Less Inspirational Pieces (1937)
1. "Pythagoras and the Ladder"
2. "Destructive Forces in Life"
3. "The Case for the Daydreamer"
4. "A Dozen Disciplines"
5. "How to Adjust Yourself to Your Work")
6. "Anodynes for Anxieties"
7. "The Conscious vs. The Unconscious"
8. "Sex ex Machina"
"No Standing Room Only" (with an explanatory note on the early theatrical career of Vincent Price)

from My Life and Hard Times (1933, included in The Thurber Carnival [1945])
Preface to a Life
1. The Night the Bed Fell; encore presentation
2. The Car We Had to Push
3. The Day the Dam Broke
4. The Night the Ghost Got In
9. University Days
10. Draft Board Nights
A Note at the End

from The Middle-Aged Man on the Flying Trapeze (1935)
"The Greatest Man in the World" read by Keith Olbermann -- Part 1, Part 2, and Part 3
"The Topaz Cufflinks Mystery"
"The Curb in the Sky"

"The Bloodhound and the Bug":
part 1, part 2, part 3, part 4, part 5

from The Beast in Me, and Other Animals (1948)
"Look Homeward, Jeannie" (also in Thurber's Dogs [1955])

from The Years with Ross (1959)
1. A Dime a Dozen: part 1, part 2, and part 3

from The Thurber Album (1952)
7. Gentleman from Indiana (appreciation of his father), part 1 and part 2 (including some of Thurber's obit for John McNulty)
8. Lavender with a Difference (appreciation of his mother), part 1, part 2, and part 3

About Wolcott Gibbs (Thurber on Gibbs, Gibbs on Thurber, and E. B. White's New Yorker obituary of Gibbs)

Obituary of John McNulty (from The New Yorker of Aug. 4, 1956), plus Thurber's letter to New Yorker editor William Shawn of July 31, 1956, about the published text

Special Edition: At the 92nd Street Y Thurber "do," Keith O gives a virtuoso performance


WOODY ALLEN
TONIGHT


from Getting Even (1971)
"A Look at Organized Crime"
"Death Knocks," Part 1 and
Part 2
"A Twenties Memory"
"Hassidic Tales, with a Guide to Their Interpretation by the Noted Scholar," Part 1 and Part 2
"The Schmeed Memoirs," Part 1 and Part 2
"Count Dracula," Part 1 and Part 2


BENCHLEY TONIGHT

"My Five- (or Maybe Six-) Year Plan"
"A Little Sermon on Success" [plus video: The Treasurer's Report]
"Back in Line" [plus video: That Inferior Feeling]
"One Minute, Please!" [plus video: How to Be a Detective]
"Why We Laugh -- or Do We?" [plus video: introducing "a man who needs no introduction," from The Sky's the Limit]; August 2016 encore presentation
"How I Create" [plus video: How to Eat]
"How to Get Things Done" [plus video: Home Movies]; June 2016 encore presentation
"Announcing a New Vitamin" [plus video: the start of How to Take a Vacation]
"Down With Pigeons"
"The Bathroom Revolution"
"The Sunday Menace"
"Ask That Man"
"One Set of French Dishes"


BOB AND RAY TONIGHT

Bob and Ray: The Two and Only (Original Broadway Cast recording)
Act I (plus other Bob and Ray goodies)
Sunday, 4/3/11: The Two and Only: Overture; Wally Ballou (Bob) and Hector Lassie (Ray); Introductory remarks; Wally covers a fast-breaking cranberry story in Times Square -- meet Floyd Smith the cranberry man (Ray)
Video clip: Bob and Ray appear with a young David Letterman, part 1
Monday, 4/4/11: World's largest living lizard . . . some kind of lizard? (Komodo dragon expert, plus Gabe Preston calls in from Washington with breaking news)
Video clip: Part 2 of the Letterman appearance
Tuesday, 4/5/11: "Most Beautiful Face" (plus Gabe Preston tries again)
Video clip: First half of a 1952 outing of the 15-minute NBC TV Bob and Ray Show
Wednesday, 4/6/11: Barry Campbell talks about his Broadway opening (and closing) night
Video clip: Part 2 of that TV Bob and Ray Show: an episode of Mary Backstayge, Noble Wife, with Audrey Meadows as Mary B and actress Jessica Culpepper
Thursday, 4/7/11: STOA (Slow Talkers of America)
Video clip (audio only): No Dragnet Here -- The men of Squad Car 119 are just a locked door away from being on the Case of the Ruffled Shirt Bandit

Bob and Ray: The Two and Only: Act II
Part 1: The Larry Lovebreath Show: Dog trainer; Grand Canyon public service announcement; Truffle hunter
Part 2: Classic sports interview -- Biff Burns and Stuffy
Part 3: News in Depth: Gov't bureaucrat Hap Whatney; Unusual political concession speech; David Chetley analyzes the speech (plus video clip of Chet Huntley's Huntley-Brinkley Report signoff)
Part 4: More News in Depth: Announcement for the Treasury Dept.; Corrupt mayor of Skunk Haven, NJ; Return of Gabe Preston with his breaking story
Part 5: Curtain call -- encores: Kiddie menu; McBeebee Twins

from Write If You Get Work: The Best of Bob & Ray (1975)
Foreword by Kurt Vonnegut Jr., who remembers being interviewed for a job by the fellows
"Elmer W. Litzinger, Spy" (plus Bulletin No. 1)
"Emergency Ward"
(plus Bulletin No. 2)
"Spelling Bee," Part 1 (plus Bulletin No. 3) and Part 2 (plus Bulletin
No. 4)
"Lucky Phone Call"


WILL CUPPY TONIGHT

from How to Tell Your Friends from the Apes (1931)
from the Preface
Memoirs of the Jukes Family, or Where We Come In
"The Java Man" (plus background on the Jukes Family)
"The Peking Man"
"The Piltdown Man"
"The Heidelberg Man"
"The Neanderthal Man"
"The Cro-Magnon Man"
"The Modern Man"
How to Tell Your Friends from the Apes, or A Monkey a Day
"The Chimpanzee"
"The Gorilla"
"The Orang-utan"
"The Gibbon"
"The Baboon"
"The Howling Monkey"
"The Lemur"
Mammals You Ought to Know, or Why Be a Rhinoceros?
"The Lion"

from How to Become Extinct (1941)
"Own Your Own Snake"
"Aristotle, Indeed!"

from How to Attract the Wombat (1949)
"Are Wombats People?" (the introductory piece)
"The Wombat"
"More About Wombats"
Pliny the Elder special edition: "The Goose," "The Oyster," and "The Ostrich"

from The Decline and Fall of Practically Everybody (1950)
"Alexander the Great"
"Cleopatra"
"Lucrezia Borgia"
Afterword by Thomas Maeder (1984)


WOLCOTT GIBBS TONIGHT

About Wolcott Gibbs (Thurber on Gibbs, Gibbs on Thurber, and E. B. White's New Yorker obituary of Gibbs)

"In Memoriam: Robert Benchley" (New York Times remembrance)

"The Mantle of Comstock"

"To a Little Girl at Christmas" -- meet Comrade Jelly Belly

"One with Nineveh" -- Gibbs's 25-years-later reencounter with Lucius Beebe, Part 1 and Part 2

"Glorious Calvin (A Critical Appreciation)" -- "a critical appreciation of Calvin Coolidge as a movie comedian"


RING LARDNER TONIGHT

Presenting the Master, with "Who's Who -- and Why" and the Preface to "How to Write Short Stories"

It was part of his charm: Prefaces to The Love Nest and The Story of a Wonder Man by Sarah E. Spooldripper

The Young Immigrunts (The road to "Shut up he explained"): Part 1, Part 2 (plus Ring Lardner Jr. on The Young Immigrunts), and Part 3 (plus Ring Lardner Jr.'s excerpts from Daisy Ashford's The Young Visiters, the source of the parody)

You Know Me Al
John Lardner's Introduction (1958): Part 1 and Part 2
Chapter I: A Busher's Letters Home
Part 1, Preface and Jack's letters of Sept. 6 and Dec. 14 and 16
Part 2, The busher reaches the bigs -- March 2, 7, 9, and 16
Part 3: Countdown to Opening Day -- March 26 and April 1, 4, 7, and 10
Part 4: The busher makes his big-league debut -- April 11 and 15
Part 5: A major development for Jack -- April 19, 25, and 29
Chapter II: The Busher Comes Back
Part 1, The busher comes back! -- Jack's letters of May 13 and 20
Part 2: After a two-month silence, Jack has big news for Al -- July 20
Part 3, A surprise for Jack -- August 16
Part 4, Back in the bigs -- August 27
Part 5, Big doings in Detroit -- September 6
Part 6, "Boston is some town, Al" -- September 12
Part 7, Bedford, IN, meets New York, NY -- September 16
Part 8, Rain day in Philly; arrival in D.C. -- September 19 and 22
Part 9, In D.C., it's Jack vs. Johnson -- September 22 and 27
Part 10, The "city serious," and Jack's biggest news yet -- October 3 and 7
Part 11, Reversal(s) of fortune -- October 9 and 12
Part 12, Did you see this one coming? -- October 13 and 14

Bed-Time Stories:
How to Tell a True Princess
Cinderella
Red Riding Hood

Champion (in seven parts):
Part 1 -- We make the acquaintaince of young Michael Kelly
Part 2 -- In Milwaukee, Midge makes connections
Part 3 -- In Boston, Midge makes his mark
Part 4 -- In New Orleans, Midge reads some mail
Part 5 -- Back in his hometown, the champ knows how to deal with a sponger
Part 6 -- Back in Milwaukee, the champ rearranges more old arrangements
Part 7 -- In New York, the champ meets the press
Postscript: How "Champion" and the other stories in How to Write Short Stories (with Samples) found their way into book form

Three New Yorker "Talk of the Town" items about Ring


PERELMAN TONIGHT

from The Most of S. J. Perelman:
Intro to Part I and "Strictly from Hunger," Part 1 and Part 2
Intro to Part II and Acres and Pains, Chapter One, Chapters Two and Three, Chapters Four and Five
How Sharper Than a Serpent's Tooth, Part 1 and Part 2

Perelman the mini-dramatist:
"How Sharper Than a Serpent's Tooth," part 1 and part 2

from Westward Ha!
I. Goodbye Broadway, Hello Mal-de-mer, Part 1 (It started in Philadelphia) and Part 2 (Departure day looms)

from The Swiss Family Perelman
Chapter 1, "Rancors Aweigh"
Part 1 -- Launching yet another journey
Part 2 -- San Francisco-bound
Chapter 2, "Low Bridge -- Everybody Down"
Part 1 -- The journey begins!
Part 2 -- Hooray for Hollywood!
Part 3 -- "Move over, Asia"
Chapter 3, "The Wild Blue Yonder"
Part 1 -- Aboard the S.S. Grover Cleveland
Part 2 -- Putting on the feedbag
Part 3 -- Hawaii to Hong Kong
Chapter 4, "Mama Don't Want No Rice"
Part 1 -- Breaking news!
Part 2 -- "You rat!"
Part 3 -- On the town in Hong Kong


JEAN SHEPHERD
TONIGHT


Radio clips:
Cafe Incident
The Attic
The Great Ice Cream War
of Hammond

Ham Radio, Part 1 and
Part 2

From In God We Trust -- All Others Pay Cash:
Chapter I -- "We Meet Flick, the Friendly Bartender"
Chapter II -- "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid," Part 1, Part 2, Part 3, and Part 4


E. B. WHITE TONIGHT

From The Second Tree from the Corner":
Foreword (1954) and Introduction (1984)
"Air Raid Drill" (plus E.B.W. notes on the notes reprinted from The New Yorker's "Notes and Comment" page)
"Afternoon of an American Boy," Part 1 and Part 2
"The Second Tree from the Corner," Part 1 and Part 2
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Monday, April 28, 2003

[4/28/2011] Jean Shepherd Tonight: Part 4 of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid" (continued)

>


In God
We Trust
ALL OTHERS
PAY CASH


II -- DUEL IN THE SNOW, OR RED RYDER NAILS THE CLEVELAND STREET KID

Part 4

By suppertime that night I had begun to resign myself to my fate. After all, I told myself, you can always use another football, and, anyway, there will be other Christmases.

The day before, I had gone with my father and mother to the frozen parking lot next to the Esso station where, after long and soul-searching discussion, we had picked out our tree.

"There's a bare spot on the back."

"It'll fluff out, lady, when it gets hot."

"Is this the kind the needles fall out?"

"Nah, that's them balsams."

"Oh."

Now it stood in the living room, fragrantly, toweringly, teeteringly. Already my mother had begun the trimming operations. The lights were lit, and the living room was transformed into a small, warm paradise.

From the kitchen intoxicating smells were beginning to fill the house. Every year my mother baked two pumpkin pies, spicy and immobilizingly rich. Up through the hot-air registers echoed the boom and bellow of my father fighting The Furnace. I was locked in my bedroom in a fever of excitement. Before me on the bed were sheets of green and yellow paper, balls of colored string, and cellophane envelopes of stickers showing sleighing scenes, wreaths, and angels blowing trumpets. The zeppelin [Ralph's gift for his younger brother, Randy -- Ed.] was already lumpily done -- it had taken me forty-five minutes -- and now I struggled with the big one, the magnificent gleaming gold and pearl perfume atomizer [for his mother], knowing full well that I was wrapping what would undoubtedly become a treasured family heirloom. I checked the lock on the door, and for double safety hollered:

"DON'T ANYONE OPEN THIS DOOR!"

I turned back to my labors until finally there they were -- my masterworks of creative giving piled in a neat pyramid on the quilt. My brother was locked in the bathroom, wrapping the fly swatter he had bought for the Old Man.

Our family always had its Christmas on Christmas Eve. Other less fortunate people, I had heard, opened their presents in the chill clammy light of dawn. Far more civilized, our Santa Claus recognized that barbaric practice for what it was. Around midnight great heaps of tissuey, crinkly, sparkly, enigmatic packages appeared among the lower branches of the tree and half hidden among the folds of the white bedsheet that looked in the soft light like some magic snowbank.

Earlier, just after the tree had been finished, my father had taken me and my brother out in the Graham-Paige to "pick up a bottle of wine. When we returned, Santa had been there and gone! On the end table and the bookcase were bowls of English walnuts, cashews, and almonds and petrified hard candy. My brother circled around the tree, moaning softly, while I, cooler and more controlled, quickly eyed the mountain of revealingly wrapped largess -- and knew the worst.

Out of the kitchen came my mother, flushed and sparkly-eyed, bearing two wineglasses filled with the special Walgreen drugstore vintage that my Old Man especially favored. Christmas had officially begun. As they sipped their wine we plunged into the cornucopia, quivering with desire and the ecstasy of unbridled avarice. In the background, on the radio, Lionel Barrymore's wheezy, friendly old voice spoke kindly of Bob Cratchit and Tiny Tim and the ghost of old Marley.

The first package I grabbed was tagged "To Randy from Santa." I feverishly passed it over to my brother, who always was a slow reader, and returned to work. Aha!

"To Ralphie from Aunt Clara" -- on a largish, lumpy, red-wrapped gift that I suspected to be the crummy football. Frantically I tore off the wrappings. Oh no! OH NO! A pair of fuzzy, pink, idiotic, cross-eyed, lop-eared bunny slippers! Aunt Clara had for years labored under the delusion that I was not only perpetually four years old but also a girl. My mother instantly added oil to the flames by saying:

"Oh, aren't they sweet! Aunt Clara always gives you the nicest presents. Put 'em on; see if they fit."

They did. Immediately my feet began to sweat as those two fluffy little bunnies with blue button eyes stared sappily up at me, and I knew that for at least two years I would have to wear them every time Aunt Clara visited us. I just hoped that Flick would never spot them, as the word of this humiliation could easily make life at Warren G. Harding School a veritable hell.

Next to me in harness my kid brother silently, doggedly stripped package after package until he hit the zeppelin. It was the jackpot!

"WOW! A ZEPPELIN! WHOOPEE! WOW!"

Falling over sideways with an ear-splitting yell, he launched it upward into the middle branches of the tree. Two glass angels and a golden bugle crashed to the floor, and a string of lights winked out.

"It's not supposed to fly, you nut," I said.

"AHH, WHAT GOOD IS A ZEPPELIN THAT DON'T FLY!?"

"It rolls. And beeps."

Instantly he was on his knees pushing the Graf Zeppelin, beeping fiendishly, propellers clacking, across the living-room rug. It was a sound that was to become sickeningly familiar in the months ahead. I suspect even at that moment my mother knew that one day the zeppelin would mysteriously disappear, never to beep again.

My father was on his feet with the first blink of the dying tree lights. He loved nothing better than to track down the continual short circuits and burned-out bulbs of Christmas tree light strings. Oblivious, I continued to ravage my gifts, feigning unalloyed joy at each lousy Sandy Andy, dump truck, and Monopoly game. My brother's gift to me was the only bright spot in an otherwise remarkably mediocre haul: a rubber Frankenstein face which I knew would come in handy. I immediately put it on and, peering through the slit eyes, continued to open my booty.

"Oh, how terrible!" my mother said. "Take it off and put it away."

"I think it looks good on him," my father said. I stood up and did my already famous Frankenstein walk, clumping stiff-legged around the living room and back to the tree.

Finally it was all over. There were no more mysterious packages under the tree, only a great pile of crumpled tissue paper, string, and empty boxes. In the excitement I had forgotten Red Ryder and the BB gun, but now it all came back. Skunked! Well, at least I had a Frankenstein face. And there was no denying that I had scored heavily with the Simoniz and the atomizer, as well as the zeppelin. The joy of giving can uplift the saddened heart.

My brother lay dozing amid the rubble, the zeppelin clasped in one hand and his new fire truck in the other. My father bent over from his easy chair, his eighth glass of wine in his hand.

"Say, don't I see something over there stuck behind the drapes? Why, I think there is something over there behind the drapes."

He was right! There was a tiny flash of red under the écru curtains. Like a shot I was off, and milliseconds later I knew that old Santa had come through! A long, heavy, red-wrapped package, marked "To Ralphie from Santa" had been left somehow behind the curtains. In an instant the wrappings were off, and there it was! A Red Ryder carbine-action range-model BB gun lay in its crinkly white packing, blue-steel barrel graceful and taut, its dark, polished stock gleaming like all the treasures of the Western world. And there, burned into the walnut, his level gaze unmistakable, his jaw clean and hard, was Red Ryder himself coolly watching my every move. His face was even more beautiful and malevolent than the pictures in the advertisements showed.

Over the radio thundered a thousand-voiced heavenly choir:

"JOY TO THE WORLD, THE LORD HAS COME . . ."

My mother sat and smiled a weak, doubtful smile while my Old Man grinned broadly from behind his wineglass.

The magnificent weapon came equipped with two heavy tubes of beautiful Copproteck BBs, gleaming gold and as hard as sin itself. Covered with a thin film of oil they poured with a "ssshhhing" sound into the 200-shot magazine through a BB-size hole in the side of that long blue-steel tube. They added weight and a feeling of danger to the gun. There were also printed targets, twenty-five of them, with a large bull's-eye inside concentric rings marked "One-Two-Three-Four," and the bull's-eye was printed right in the middle of a portrait of Red Ryder himself.

I could hardly wait to try it out, but the instruction booklet said, in Red Ryder's own words:
Kids, never fire a BB gun in the house. They can really shoot. And don't ever shoot at other kids. I never shoot anybody but bad guys, and I don't want any of my friends hurt.

It was well past midnight anyway and, excitement or no, I was getting sleepy. Tomorrow was Christmas Day, and the relatives were coming over to visit. That would mean even more loot of one kind or another.

In my warm bed in the cold still air I could hear the falling snow brushing softly against the dark window. Next to me in the blackness lay my oiled blue-steel beauty, the greatest Christmas gift I had ever received. Gradually I drifted off to sleep -- pranging ducks on the wing and getting off spectacular hip-shots as I dissolved into nothingness.

Dawn came. As the gray light crept around the shades and over the quilt, I was suddenly and tinglingly awake. Stealthily I dressed in my icy maroon corduroy knickers, my sheepskin coat, and my plaid sweater. I pulled on my high-tops and found my mittens, crept through the dark living room, fragrant with Christmas tree, and out onto the porch. Inside the house the family slept the sleep of the just and the fulfilled.

During the night a great snow had fallen, covering the gritty remains of past snowfalls. The trees hung rich and heavy with fluffy down. The sun, soaring bright and brilliantly sharp over Pulaski's Candy Store, lit up the soft, rolling moonscape of snow with orange and gold splashes of color. Overnight the temperature had dropped thirty degrees or more, and the brittle, crackling air was still and clean, and it hurt the lungs to breathe it. The temperature stood at perhaps fifteen to twenty below zero, cold enough to make the telephone wires creak and groan in agony. From the eaves of the front porch gnarled crystal icicles stretched all the way to the drifts on the buried lawn.

I trudged down the steps, barely discernible in the soft fluff, and now I stood in the clean air, ready to consummate my great, long, painful, ecstatic love affair. Brushing the snow off the third step, I propped up a gleaming Red Ryder target, the black rings and bull's-eye standing out starkly against the snowy whiteness. Above the bull's-eye Red Ryder watched me, his eyes following my every move. I backed off into the snow a good twenty feet, slammed the stock down onto my left kneecap, holding the barrel with my mittened left hand, flipped the mitten off my right and, hooking my fingers in the icy carbine lever, cocked my blue-steel buddy for the first time. I heard the BB click down into the chamber; the spring inside twanged sharply, and with a clunk she rested taut, hard, and loaded in my chapped, rapidly bluing hands.

For the first time I sighted down over that cold barrel, the heart-shaped rear sight almost brushing my nose and the blade of the front sight wavering back and forth, up and down, and finally coming to rest sharply, cutting the heart and laying dead on the innermost ring. Red Ryder didn't move a muscle, his Stetson flaring out above the target as he waited.

Slowly I squeezed the frosty trigger. Back . . . back . . . back. For one instant I thought wildly: It doesn't work! We'll have to send it back! And then:

CRRAACK!

The gun jerked upward and for a brief instant everything stood still. The target twitched a tiny tick -- and then a massive wallop, a gigantic, slashing impact crashed across the left side of my face. My horn-rimmed glasses spun from my head into a snowbank. For several seconds I stood, not knowing what had happened, warm blood trailing down over my cheek and onto the walnut stock of my Red Ryder 200-shot range-model BB gun.

I lowered the barrel convulsively. The target still stood; Red Ryder was unscratched. A ragged, uncontrolled tidal wave of pain, throbbing and singing, rocked my head. The ricocheting BB had missed my eye by perhaps a half inch, and a long, angry, bloody welt extended from my cheekbone almost to my ear. It was divine retribution! Red Ryder had struck again! Another bad guy had been gunned down!

Frantically I scrambled for my glasses. And then the most catastrophic blow of all -- they were pulverized! Few things brought such swift and terrible retribution on a kid during the Depression as a pair of busted glasses. The left lens was out as clean as a whistle, and for a moment I thought: I'll fake it! They'll never know the lens is gone! But then, gingerly fingering my rapidly swelling black eye, I realized that here was a shiner on the way that would top even the one I got the time I fought Grover Dill.

As I put the cold horn-rims back on my nose, the front door creaked open just a crack and I could make out the blur of my mother's Chinese-red chenille bathrobe.

"Be careful. Don't shoot out your eye! Just be careful now."

She hadn't seen! Rapidly my mind evolved a spectacular fantasy involving a falling icicle and how it had hit the gun barrel which caused the stock to bounce up and cut my cheek and break my glasses and I tried to get out of the way but the icicle fell off the roof and hit the gun and it bounced up and hit me and . . . I began to cry uproariously, faking it at first, but then the shock and fear took over and it was the real thing -- heaving, sobbing, retching.

I was now in the bathroom, my mother bending over me, telling me:

"There now, see, it's just a little bump. You're lucky you didn't cut your eye. Those icicles sometimes even kill people. You're really lucky. Here, hold this rag on it, and don't wake your brother."

I HAD PULLED IT OFF!

*

I sipped the bitter dregs of coffee that remained in my cup, suddenly catapulted by a falling tray back into the cheerful, impersonal, brightly lit clatter of Horn & Hardart. I wondered whether Red Ryder was still dispensing retribution and frontier justice as of old. Considering the number of kids I see with broken glasses, I suspect he is.

-- END --


RETURN TO THE BEGINNING OF THE POST
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