Thurber Tonight: Let Your Mind Alone!: "Destructive Forces in Life"
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I'm afraid we'll only be able to sample the "Let Your Mind Alone!" pieces from 1937 (gathered in book form in Let Your Mind Alone! and Other More or Less Inspirational Pieces), Thurber's response to the genre of mental self-improvement books which was flourishing at the time -- and has continued to flourish ever since. "Destructive Forces in Life" is the second piece in the series. -- Ken
Destructive Forces in Life
The mental efficiency books go into elaborate detail about how to attain Masterful Adjustment, as one of them calls it, but it seems to me that the problems they set up, and knock down, are in the main unimaginative and pedestrian: the little fusses at the breakfast table, the routine troubles at the office, the familiar anxieties over money and health—the welter of workaday annoyances which all of us meet with and usually conquer without extravagant wear and tear. Let us examine, as a typical instance, a brief case history presented by the learned Mr. David Seabury, author of "What Makes Us Seem So Queer," "Unmasking Our Minds," "Keep Your Wits," "Growing Into Life," and "How to Worry Successfully." I select it at random. "Frank Fulsome," writes Mr. Seabury, "flung down the book with disgust and growled an insult at his wife. That little lady put her hands to her face and fled from the room. She was sure Frank must hate her to speak so cruelly. Had she known it, he was not really speaking to her at all. The occasion merely gave vent to a pent-up desire to 'punch his fool boss in the jaw.'" This is, I believe, a characteristic Seabury situation. Many of the women in his treatises remind you of nobody so much as Ben Bolt's Alice, who "wept with delight when you gave her a smile, and trembled with fear at your frown." The little ladies most of us know would, instead of putting their hands to their faces and fleeing from the room, come right back at Frank Fulsome. Frank would perhaps be lucky if he didn't get a punch in the jaw himself. In any case, the situation would be cleared up in approximately three minutes. This "had she known" business is not as common among wives today as Mr. Seabury seems to think it is. The Latent Content (as the psychologists call it) of a husband's mind is usually as clear to the wife as the Manifest Content, frequently much clearer.
I could cite a dozen major handicaps to Masterful Adjustment which the thought technicians never touch upon, a dozen situations not so easy of analysis and solution as most of theirs. I will, however, content myself with one. Let us consider the case of a man of my acquaintance who had accomplished Discipline of Mind, overcome the Will to Fail, mastered the Technique of Living—had, in a word, practically attained Masterful Adjustment—when he was called on the phone one afternoon about five o'clock by a man named Bert Scursey. The other man, whom I shall call Harry Conner, did not answer the phone, however; his wife answered it. As Scursey told me the story later, he had no intention when he dialed the Conners' apartment at the Hotel Graydon of doing more than talk with Harry. But, for some strange reason, when Louise Conner answered, Bert Scursey found himself pretending to be, and imitating the voice of, a colored woman. This Scursey is by way of being an excellent mimic, and a colored woman is one of the best things he does.
"Hello," said Mrs. Conner. In a plaintive voice, Scursey said, "Is dis heah Miz Commah?" "Yes, this is Mrs. Conner," said Louise. "Who is speaking?" "Dis heah's Edith Rummum," said Scursey. "Ah used wuck for yo frens was nex doah yo place a Sou Norwuck." Naturally, Mrs. Conner did not follow this, and demanded rather sharply to know who was calling and what she wanted. Scursey, his voice soft with feigned tears, finally got it over to his friend's wife that he was one Edith Rummum, a colored maid who had once worked for some friends of the Conners' in South Norwalk, where they had lived some years before. "What is it you want, Edith?" asked Mrs. Conner, who was completely taken in by the impostor (she could not catch the name of the South Norwalk friends, but let that go). Scursey -- or Edith, rather -- explained in a pitiable, hesitant way that she was without work or money and that she didn't know what she was going to do; Rummum, she said, was in the jailhouse because of a cutting scrape on a roller-coaster. Now, Louise Conner happened to be a most kind-hearted person, as Scursey well knew, so she said that she could perhaps find some laundry work for Edith to do. "Yessum," said Edith. "Ah laundas." At this point, Harry Conner's voice, raised in the room behind his wife, came clearly to Scursey, saying, "Now, for God's sake, Louise, don't go giving our clothes out to somebody you never saw or heard of in your life." This interjection of Conner's was in firm keeping with a theory of logical behavior which he had got out of the Mind and Personality books. There was no Will to Weakness here, no Desire to Have His Shirts Ruined, no False Sympathy for the Colored Woman Who Has Not Organized Her Life.
But Mrs. Conner, who often did not listen to Mr. Conner, in spite of his superior mental discipline, prevailed. [Note: This sometimes happens even when the husband is mentally disciplined and the wife is not.] "Where are you now, Edith?" she asked. This disconcerted Scursey for a moment, but he finally said, "Ah's jes rounda corna, Miz Commah." "Well, you come over to the Hotel Graydon," said Mrs. Conner. "We're in Apartment 7-A on the seventh floor." "Yessm," said Edith. Mrs. Conner hung up and so did Scursey. He was now, he realized, in something of a predicament. Since he did not possess a streamlined mind, as Dr. Mursell has called it, and had definitely a Will to Confuse, he did not perceive that his little joke had gone far enough. He wanted to go on with it, which is a characteristic of wool-gatherers, pranksters, wags, wish-fulfillers, and escapists generally. He enjoyed fantasy as much as reality, probably even more, which is a sure symptom of Regression, Digression, and Analogical Redintegration. What he finally did, therefore, was to call back the Conners and get Mrs. Conner on the phone again. "Jeez, Miz Commah," he said, with a hint of panic in his voice, "Ah cain' fine yo apottoman!" "Where are you, Edith?" she asked. "Lawd, Ah doan know," said Edith. "Ah's on some floah in de Hotel Graydon." "Well, listen, Edith, you took the elevator, didn't you?" "Dass whut Ah took," said Edith, ^uncertainly. "Well, you go back to the elevator and tell the boy you want off at the seventh floor. I'll meet you at the elevator." "Yessm," said Edith, with even more uncertainty. At this point, Conner's loud voice, speaking to his wife, was again heard by Scursey. "Where in the hell is she calling from?" demanded Conner, who had developed Logical Reasoning. "She must have wandered into somebody else's apartment if she is calling you from this building, for God's sake!" Whereupon, having no desire to explain where Edith was calling from, Scursey hung up.
A Mentally Disciplined Husband With Mentally Undisciplined Wife
After an instant of thought, or rather Disintegrated Phantasmagoria, Scursey rang the Conners again. He wanted to prevent Louise from going out to the elevator and checking up with the operator. This time, as Scursey had hoped, Harry Conner answered, having told his wife that he would handle this situation. "Hello!" shouted Conner, irritably. "Who is this?" Scursey now abandoned the role of Edith and assumed a sharp, fussy, masculine tone. "Mr. Conner," he said, crisply, "this is the office. I am afraid we shall have to ask you to remove this colored person from the building. She is blundering into other people's apartments, using their phones. We cannot have that sort of thing, you know, at the Graydon." The man's words and his tone infuriated Conner. "There are a lot of sort of things I'd like to see you not have at the Graydon!" he shouted. "Well, please come down to the lobby and do something about this situation," said the man, nastily. "You're damned right I'll come down!" howled Conner. He banged down the receiver.
Bert Scursey sat in a chair and gloated over the involved state of affairs which he had created. He decided to go over to the Graydon, which was just up the street from his own apartment, and see what was happening. It promised to have all the confusion which his disorderly mind so deplorably enjoyed. And it did have. He found Conner in a tremendous rage in the lobby, accusing an astonished assistant manager of having insulted him. Several persons in the lobby watched the curious scene. "But, Mr. Conner," said the assistant manager, a Mr. Bent, "I have no idea what you are talking about." "If you listen, you'll find out!" bawled Harry Conner. "In the first place, this colored woman's coming to the hotel was no idea of mine. I've never seen her in my life and I don't want to see her! I want to go to my grave without seeing her!" He had forgotten what the Mind and Personality books had taught him: never raise your voice in anger, always stick to the point. Naturally, Mr. Bent could only believe that his guest had gone out of his mind. He decided to humor him. "Where is this -- ah -- colored woman, Mr. Conner?" he asked, warily. He was somewhat pale and was fiddling with a bit of paper. A dabbler in psychology books himself, he knew that colored women are often Sex Degradation symbols, and he wondered if Conner had not fallen out of love with his wife without realizing it. (This theory, I believe, Mr. Bent has clung to ever since, although the Conners are one of the happiest couples in the country.) "I don't know where she is!" cried Conner. "She's up on some other floor phoning my wife! You seemed to know all about it! I had nothing to do with it! I opposed it from the start! But I want no insults from you no matter who opposed it!" "Certainly not, certainly not," said Mr. Bent, backing slightly away. He began to wonder what he was going to do with this maniac.
At this juncture Scursey, who had been enjoying the scene at a safe distance, approached Conner and took him by the arm. "What's the matter, old boy?" he asked. "H'lo, Bert," said Conner, sullenly. And then, his eyes narrowing, he began to examine the look on Scursey's face. Scursey is not good at dead-panning; he is only good on the phone. There was a guilty grin on his face. "You -----," said Conner, bitterly, remembering Scursey's pranks of mimicry, and he turned on his heel, walked to the elevator, and, when Scursey tried to get in too, shoved him back into the lobby. That was the end of the friendship between the Conners and Bert Scursey. It was more than that. It was the end of Harry Conner's stay at the Graydon. It was, in fact, the end of his stay in New York City. He and Louise live in Oregon now, where Conner accepted a less important position than he had held in New York because the episode of Edith had turned him against Scursey, Mr. Bent, the Graydon, and the whole metropolitan area.
Anybody can handle the Frank Fulsomes of the world, but is there anything to be done about the Bert Scurseys? Can we so streamline our minds that the antics of the Scurseys roll off them like water off a duck's back? I don't think so. I believe the authors of the inspirational books don't think so, either, but are afraid to attack the subject. I imagine they have been hoping nobody would bring it up. Hardly anybody goes through life without encountering his Bert Scursey and having his life—and his mind -- accordingly modified. I have known a dozen Bert Scurseys. I have often wondered what happened to some of their victims. There was, for example, the man who rang up a waggish friend of mine by mistake, having got a wrong number. "Is this the Shu-Rite Shoestore?" the caller asked, querulously. "Shu-Rite Shoestore, good morning!" said my friend, brightly. "Well," said the other, "I just called up to say that the shoes I bought there a week ago are shoddy. They're made, by God, of cardboard. I'm going to bring them in and show you. I want satisfaction!" "And you shall have it!" said my friend. "Our shoes are, as you say, shoddy. There have been many complaints, many complaints. Our shoes, I am afraid, simply go to pieces on the foot. We shall, of course, refund your money." I know another man who was always being routed out of bed by people calling a certain railroad which had a similar phone number. "When can I get a train to Buffalo?" a sour-voiced woman demanded one morning about seven o'clock. "Not till two a.m. tomorrow, Madam," said this man. "But that's ridiculous!" cried the woman, "I know," said the man, "and we realize that. Hence we include, in the regular fare, a taxi which will call for you in plenty of time to make the train. Where do you live?" The lady, slightly mollified, told him an address in the Sixties. "We'll have a cab there at one-thirty, Madam," he said. "The driver will handle your baggage." "Now I can count on that?" she said. "Certainly, Madam," he told her. "One-thirty, sharp."
Just what changes were brought about in that woman's character by that call, I don't know. But the thing might have altered the color and direction of her life, the pattern of her mind, the whole fabric of her nature. Thus we see that a person might build up a streamlined mind, a mind awakened to a new life, a new discipline, only to have the whole works shot to pieces by so minor and unpredictable a thing as a wrong telephone number. On the other hand, the undisciplined mind would never have the fortitude to consider a trip to Buffalo at two in the morning, nor would it have the determination to seek redress from a shoestore which had sold it a faulty pair of shoes. Hence the undisciplined mind runs far less chance of having its purpose thwarted, its plans distorted, its whole scheme and system wrenched out of line. The undisciplined mind, in short, is far better adapted to the confused world in which we live today than the streamlined mind. This is, I am afraid, no place for the streamlined mind.
TOMORROW NIGHT: Our final installment of "The Pet Department"
THURBER TONIGHT: Check out the series to date
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Labels: James Thurber, Let Your Mind Alone
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