[4/26/2011] Jean Shepherd Tonight: Part 2 of "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid" (continued)

"The classic Mother BB Gun Block":
"Oh no. You'll shoot out one of your eyes"

In a moment of unguarded rashness I brought the whole plot out into the open. I was caught by surprise while pulling on my high-tops in the kitchen, huddled next to the stove, the only source of heat in the house at that hour of the morning. My mother, leaning over a pot of simmering oatmeal, suddenly asked out of the blue:

"What would you like for Christmas?"

Horrified, I heard myself blurt: "A Red Ryder BB gun!"

Without pausing or even missing a stroke with her tablespoon, she shot back: "Oh no. You'll shoot out one of your eyes."

In God

We Trust

ALL OTHERS

PAY CASH

II -- DUEL IN THE SNOW, OR RED RYDER NAILS THE CLEVELAND STREET KID

Part 2

Off on the far horizon, beyond the railroad yards and the great refinery tanks, lay our own private mountain range. Dark and mysterious, cold and uninhabited, outlined against the steel-gray skies of Indiana winter, the Mills. It was the Depression, and the natives had been idle so long that they no longer even considered themselves out of work. Work had ceased to exist, so how could you be out of it? A few here and there picked up a day or so a month at the Roundhouse or the Freight yards or the slag heaps at the Mill, but mostly they just spent their time clipping out coupons from the back pages of True Romances magazine, coupons that promised virgin territories for distributing ready-made suits door to door or offering untold riches repairing radios through correspondence courses.

Downtown Hohman was prepared for its yearly bacchanalia of peace on earth and good will to men. Across Hohman Avenue and State Street, the gloomy main thoroughfares -- drifted with snow that had lain for months and would remain until well into Spring, ice encrusted, frozen drifts along the curbs -- were strung strands of green and red Christmas bulbs, and banners that snapped and cracked in the gale. From the streetlights hung plastic ivy wreaths surrounding three-dimensional Santa Claus faces.

For several days the windows of Goldblatt's department store had been curtained and dark. Their corner window was traditionally a major high-water mark of the pre-Christmas season. It set the tone, the motif of their giant Yuletide Jubilee. Kids were brought in from miles around just to see the window. Old codgers would recall vintage years when the window had flowered more fulsomely than in ordinary times. This was one of those years. The magnificent display was officially unveiled on a crowded Saturday night. It was an instant smash hit. First Nighters packed earmuff to earmuff, their steamy breath clouding up the sparkling plate glass, jostled in rapt admiration before a golden, tinkling panoply of mechanized, electronic Joy.

This was the heyday of the Seven Dwarfs and their virginal den mother, Snow White. Walt Disney's seven cutie-pies hammered and sawed, chiseled and painted while Santa, bouncing Snow White on his mechanical knee, ho-ho-ho'd through eight strategically placed loudspeakers -- interspersed by choruses of "Heigh ho, heigh ho, it's off to work we go." Grumpy sat at the controls of a miniature eight-wheel Rock Island Road steam engine and Sleepy played a marimba, while in the background, inexplicably, Mrs. Claus ceaselessly ironed a red shirt. Sparkling artificial snow drifted down on Shirley Temple dolls, Flexible Flyers, and Tinker Toy sets glowing in the golden spotlight. In the foreground a frontier stockade built of Lincoln Logs was manned by a company of kilted lead Highlanders who were doughtily fending off an attack by six U. S. Army medium tanks. (History has always been vague in Indiana.) A few feet away stood an Arthurian cardboard castle with Raggedy Andy sitting on the drawbridge, his feet in the moat, through which a Lionel freight train burping real smoke went round and round. Dopey sat in Amos and Andy's pedal-operated Fresh Air Taxicab beside a stuffed panda holding a lollipop in his paw, bearing the heart-tugging legend, "Hug me!" From fluffy cotton clouds above, Dionne quintuplet dolls wearing plaid golf knickers hung from billowing parachutes, having just bailed out of a highflying balsawood Fokker triplane. All in all, Santa's workshop made Salvador Dali look like Norman Rockwell. It was a good year. Maybe even a great one. Like a swelling Christmas balloon, the excitement mounted until the whole town tossed restlessly in bed -- and made plans for the big day. Already my own scheme was well under way, my personal dream. Casually, carefully, calculatingly, I had booby-trapped the house with copies of Open Road For Boys, all opened to Red Ryder's slit-eyed face. My father, a great John reader, found himself for the first time in his life in alien literary waters. My mother, grabbing for her copy of Screen Romances, found herself cleverly euchred into reading a Red Ryder sales pitch; I had stuck a copy of ORFB inside the cover showing Clark Gable clasping Loretta Young to his heaving breast.

At breakfast I hinted that there was a rumor of loose bears in the neighborhood, and that I was ready to deal with them if I had the proper equipment. At first my mother and the Old Man did not rise to the bait, and I began to push, grow anxious, and, of course, inevitably overplayed my hand. Christmas was only weeks away, and I could not waste time with subtlety or droll innuendo.

My brother, occasionally emerging from under the daybed during this critical period, was already well involved in some private Little Brother persiflage of his own involving an Erector Set with motor, capable of constructing drawbridges, Eiffel towers, Ferris wheels, and operating guillotines. I knew that if he got wind of my scheme, all was lost. He would then begin wheedling and whining for what I wanted, which would result in nobody scoring, since he was obviously too young for deadly weapons. So I cleverly pretended that I wanted nothing more than a simple, utilitarian, unpretentious Sandy Andy, a highly symbolic educational toy popular at the time, consisting of a kind of funnel under which was mounted a tiny conveyor belt of little scooplike gondolas. It came equipped with a bag of white sand that was poured into the funnel. The sand trickling out of the bottom into the gondolas set the belt in motion. As each gondola was filled, it moved down the track to be replaced by another, which, when filled, moved down another notch. And endlessly they went, dumping sand out at the bottom of the track and starting up the back loop to be refilled again -- on and on until all the sand was deposited in the red cup at the bottom of the track. The kid then emptied the cup into the funnel and it started all over again -- ceaselessly, senselessly, round and round. How like Life itself; it was the perfect toy for the Depression. Other kids in the neighborhood were embarked on grandiose, pie-in-the-sky dreams of Lionel electric trains, gigantic Gilbert chemistry sets, and other totally unimaginable impossibilities.

Through my brain nightly danced visions of six-guns snapped from the hip and shattering bottles -- and a gnawing nameless frenzy of impending ecstasy. Then came my first disastrous mistake. In a moment of unguarded rashness I brought the whole plot out into the open. I was caught by surprise while pulling on my high-tops in the kitchen, huddled next to the stove, the only source of heat in the house at that hour of the morning. My mother, leaning over a pot of simmering oatmeal, suddenly asked out of the blue:

"What would you like for Christmas?"

Horrified, I heard myself blurt: "A Red Ryder BB gun!"

Without pausing or even missing a stroke with her tablespoon, she shot back: "Oh no. You'll shoot out one of your eyes."

It was the classic Mother BB Gun Block! I was sunk! That deadly phrase, used many times before by hundreds of mothers, was not surmountable by any means known to Kid-dom. I had really booted it, but such was my mania, my desire for a Red Ryder carbine, that I immediately began to rebuild the dike.

"I was just kidding. Even though Flick is getting one. [A lie.] I guess . . . I guess . . . I sure would like a Sandy Andy, I guess."

I watched the back of her Chinese red chenille bathrobe anxiously, looking for any sign that my shaft had struck home.

"They're dangerous. I don't want anybody shooting their eyes out."

The boom had been lowered and I was under it. With leaden heart and frozen feet I waddled to school, bereft but undaunted.

At Recess time little knots of kids huddled together for warmth amid the gray craggy snowbanks and the howling gale. The telephone wires overhead whistled like banshees while the trapeze rings on the swings clanked hollowly as Schwartz and Flick and Bruner and I discussed the most important thing next to What I'm Going To Get For Christmas, which was What I'm Getting My Mother and Father For Christmas. We talked in hushed, hoarse whispers to guard against Security leaks. The selection of a present was always done with greater secrecy than that which usually surrounds a State Department White Paper on Underground Subversive Operations in a Foreign Country. Schwartz, his eyes darting over his shoulder as he spoke, leaned into the wind and hissed:

"I'm getting my father. . . ."

He paused dramatically, hunching forward to exclude unfriendly ears, his voice dropping even lower. We listened intently for his punchline.

". . . a new Flit gun!"

The sheer creative brilliance of it staggered us for a moment. Schwartz smiled smugly, his earmuffs bobbing jauntily as he leaned back into the wind, knowing he had scored. Flick, looking suspiciously at a passing female first grader who could be a spy for his mother, waited until the coast was clear and then launched his entry into the icy air.

"For my father I'm getting . . ."

Again we waited, Schwartz with a superior smirk playing faintly on his chapped lips.

" . . a rose that squirts!"

We had all seen these magnificent appliances at George's Candy Store, and instantly we saw that this was a gift anyone would want. They were bright-red celluloid, with a white rubber bulb for pocket use. At this point, luckily, the bell rang, calling us back to our labors before I had to divulge my own gifts, which I knew did not come up to these magnificent strokes
of genius.

I had not yet made an irrevocable choice for my mother, but I had narrowed the field down to two spectacular items I had been stealthily eying at Woolworth's for several weeks. The first was a tasteful string of beads about the size of small walnuts, brilliant ruby in color with tiny yellow flowers embedded in the glass. The other and more expensive gift -- $ 1.98 -- was a pearl-colored perfume atomizer, urn-shaped, with golden lion's feet and matching gold top and squeeze bulb. It was not an easy choice. It was the age-old conflict between the Classic and the Sybaritic, and that is never easily resolved.

For my father, I had already made the down payment on a family-size can of Simoniz. One of my father's favorite proverbs, one he never tired of quoting, was: "Motorists wise, Simoniz."

He was as dedicated a hood-shiner as ever bought a fourth-hand Graham-Paige, with soaring hopes and bad valves. I could hardly wait to see him unwrap the Simoniz on Christmas Eve, with the light of the red, yellow, green, and blue bulbs on the tree making that magnificent can glow like the deep flush of myrrh and frankincense. It was all I could do, a constant tortured battle, to keep myself from spilling the beans and thus destroying the magnificent moment of stunned surprise, the disbelieving delight which I knew would fell him like a thunderclap when he saw that I had gone all out.

In fact, several times over the supper table I had meaningfully asked:

"I'll bet you can't guess what I got you for Christmas, Dad."

Once, instead of saying: "Hmmmmm," he answered by saying: "Hmmm. Let's see. Is it a new furnace?"

My kid brother fell over sideways in nutty little-kid laughter and knocked over his milk, because my father was one of the most feared Furnace Fighters in Northern Indiana.

"That clanky old son of a bitch," he called it, and many's the night with the snow drifting in through the Venetian blinds and the windows rattling like frozen tom-toms he would roar down the basement steps, knocking over Ball jars and kicking roller skates out of the way, bellowing:

"THAT SON OF A BITCH HAS GONE OUT AGAIN! THAT GODDAMN CLANKY SON OF A BITCH!!"

The hot-air registers breathed into the clammy air the whistling breath of the Antarctic. A moment of silence. The stillness of the tundra gripped the living room; the hoarfrost sparkled like jewels in the moonlight on my mother's Brillo pad in the kitchen sink.

CLANK! K-BOOM! CLANK! K-BOOM! CLANK!

"SONOFABITCH!"

CLANK! K-BOOM! K-BOOM! CLANKCLANK!

He would be operating something called The Shaker, a long iron handle that stuck out of the bottom of that zinc and tin monster called The Furnace.

"For Chrissake, open up the goddamn damper, willya! How the hell did it get turned all the way down again!? GODDAMMIT!"

My mother would leap out of bed and rush into the kitchen in the dark to pull a chain behind the broom closet door marked "Draft."

"FOR CHRISSAKE, STUPID, I SAID THE GODDAMN DAMPER!"

My kid brother and I would huddle under our baseball quilt in our Dr. Denton Sleepers, waiting for the uproar to strike us. That's why my brother knocked over the milk when my Old Man said the thing about a new furnace. Indiana wit is always pungent and to the point.

My father was also an expert Clinker Fisher. The furnace was always producing something called "clinkers" which got stuck in the grates, causing faint puffs of blue smoke to come out from under the daybed.

"Sonofabitch clinker!"

The Old Man would jump up at the first whiff and rush down into the basement for a happy night at the old iron fishing hole with his trusty poker. People in Northern Indiana fought Winter tooth and claw; bodily, and there was never a letup.

I had not yet decided on what to get my kid brother for Christmas. It was going to be either a rubber dagger or a Dick Tracy Junior Crimefighter Disguise Kit, containing three false noses and a book of instructions on how to trap crooks. Picking something for your kid brother is never easy, particularly if what you get him is something you yourself have always wanted. This can lead to nothing but bad blood, smoldering rivalries, and scuffling in the bathroom. I myself was lukewarm on rubber daggers at this point in the game, so I was inclined to figure that a good big one with a painted silver blade might do the trick. I was a little doubtful about the Dick Tracy Kit, since I sensed vaguely that there might be trouble over one of the noses, a large orange job with plastic horn-rimmed glasses attached. A dark-horse possibility was a tin zeppelin with red propellers and blue fins. I figured this was something you could really get your teeth into, and it was what I eventually decided on, not realizing that one of the hardest things to wrap in green tissue paper with Santa Claus stickers and red string is a silver zeppelin. Zeppelins are not easy to disguise.


TOMORROW NIGHT in PART 3 of "DUEL IN THE SNOW, OR RED RYDER NAILS THE CLEVELAND STREET KID": A visit to Santa


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