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-- Sinclair Lewis
Saturday, April 24, 2010
Sunday Classics preview: Three more mystery works are added to the Guess the Composer(s?) Quiz
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UPDATE below with the rest of the answers (Last night's answers are already posted)
Esa-Pekka Salonen conducts the BBC Symphony in fine performances of the third and fourth movements, the lovely Menuet and [at 5:14] the spirited "Rigaudon," from Ravel's Le Tombeau de Couperin, at a 2007 Proms concert in London's Royal Albert Hall. The "Rigaudon" is another piece I considered for our mystery works. (I didn't include it!)
by Ken
Last night we began this two-part quiz, out of which Sunday's musical program will eventually emerge. Tonight, as promised, here are three more mystery works. Also as promised, the composer(s) is/are to be found on this master list:
Alban Berg Hector Berlioz Leonard Bernstein Johannes Brahms Benjamin Britten Claude Debussy Louis Moreau Gottschalk Charles Gounod Olivier Messiaen Carl Nielsen Jacques Offenbach Hans Pfitzner Sergei Prokofiev Maurice Ravel Camille Saint-Saëns Arnold Schoenberg Dmitri Shostakovich Johann Strauss Jr. Richard Strauss Igor Stravinsky Sir Arthur Sullivan Hugo Wolf
Again, it's possible that some or all of tonight's composer(s) may be the same as last night's.
Mystery Work D
This lovely yet somehow off-kilter little waltz has been discovered by the TV music scavengers. This is a sort of thing for which the composer had an uncanny facility. (1)
D - I use Andre Rieu's youtube version of this as part of a segment of a class I give. If you go there and type in "Shostakovich 2nd Waltz," Rieu's version pops right up. Everyone looks like they're on quaaludes.
Bonus - the alto trombone part of this piece influenced Alban Berg's alto trombone part for his 3 Orchestral Pieces. Both parts are almost unplayable, but Berg's is more essential to the structure of the orchestration. I've tried to love this piece forever, and haven't yet.
2 Comments:
D - I use Andre Rieu's youtube version of this as part of a segment of a class I give. If you go there and type in "Shostakovich 2nd Waltz," Rieu's version pops right up. Everyone looks like they're on quaaludes.
Bonus - the alto trombone part of this piece influenced Alban Berg's alto trombone part for his 3 Orchestral Pieces. Both parts are almost unplayable, but Berg's is more essential to the structure of the orchestration. I've tried to love this piece forever, and haven't yet.
Thanks, Philip!
Ken
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