Deems Taylor introduces and Leopold Stokowski conducts (the Philadelphia Orchestra) in most of the Nutcracker Suite segment of Walt Disney's Fantasia: "Dance of the Sugar Plum Fairies," "Chinese Dance," "Dance of the Reed Flutes," "Arabian Dance," and "Russian Dance" -- missing only the final "Waltz of the Flowers" (which can be seen here).
by Ken
If you've been with us for the previews -- NutcrackerFriday night, and Swan Lake and Sleeping Beautylast night -- you know the plan. Two years ago we did our first "Very Tchaikovsky Christmas" in the form of a tribute to John Lanchbery's splendid recordings of all three Tchaikovsky ballets, and last year we branched out for a little bit of everything Tchaikovsky.
We've got lots of music coming, so there will be a minimum of chatter. We're going to take the ballets in chronological order, meaning that we start with Swan Lake and finish with The Nutcracker. And speaking of Swan Lake, I can't resist pausing for this:
NBC Symphony Orchestra members, Leopold Stokowski, cond. RCA, recorded Oct. 1954-Feb. 1955
TCHAIKOVSKY: The Sleeping Beauty, Op. 66
The Sleeping Beauty, Op. 66: excerpts
Introduction Prologue: No. 1, March No. 3, Pas de six: a. Intrada and Adagio; e. Variation IV; Fairy of the Canaries; f. Variation V, Fairy Violente
Act I: No. 6, Garland Waltz No. 8, Pas d'action: a. Rose Adagio; c. Aurora's Variation; d. Coda No. 9, Finale: Aurora's Dance of Delirium; The King and Carabosse; Transformation of the Garden into a Forest
Act II: No. 13, Farandole and Mazurka No. 17, Panorama
Act III: No. 22, Polonaise No. 23, Pas de quatre: a. Intrada; c. Variation II, The Silver Fairy; e. Variation IV, The Diamond Fairy; f. Coda No. 25, Pas de quatre: c. Variation II, The Blue Bird and Princess Florine; d. Coda No. 26, Pas de caractère: a. Red Riding Hood and the Wolf No. 28, Aurora Pas de deux: b. Adagio; c. Coda No. 30, Finale: a. Mazurka; b. Apotheosis London Symphony Orchestra, Pierre Monteux, cond. RCA/Decca, recorded June 1957
TCHAIKOVSKY: The Nutcracker, Op. 71
Nutcracker Suite, Op. 71a
As I mentioned Friday night, the Steinberg-Pittsburgh Symphony recordings made by Command in the '60s, produced by company founder Enoch Light, with the legendary Robert Fine as "recording chief," were of strikingly high quality both musically and sonically. (After Command was acquired by ABC Records, the market was flooded with cheap copies of significantly inferior pressings, so you have to be careful to go back to the gold-label originals.)
i. Miniature Overture ii. March iii. Dance of the Sugar Plum Fairy iv. Trepak (Russian Dance) v. Arabian Dance vi. Chinese Dance vii. Dance of the Reed Pipes viii. Waltz of the Flowers Pittsburgh Symphony Orchestra, William Steinberg, cond. Command, recorded c1963